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Paul Nelson (January 21, 1936 — circa June 28, 2006) was an A&R executive, magazine editor, and music critic best known for writing for ''Sing Out!'', ''The Village Voice'' and ''Rolling Stone''. Born in Warren, Minnesota, Nelson attended St. Olaf College and was a graduate of the University of Minnesota, where he co-founded a seminal folk revival magazine, ''The Little Sandy Review''. As a critic, he defended Bob Dylan when he "went electric" at the Newport Folk Festival in 1965 and was instrumental in supporting the careers of Dylan, Clint Eastwood, Leonard Cohen, Elliott Murphy, Willie Nelson, Bruce Springsteen, Jackson Browne, Neil Young, The Ramones, The Sex Pistols and Warren Zevon. While employed by the A&R department of Mercury Records from 1970 to 1975, Nelson briefly served as David Bowie's publicist and championed Rod Stewart, Doug Sahm, Blue Ash & the New York Dolls; he also compiled The Velvet Underground's posthumous ''1969: The Velvet Underground Live'' and made unsuccessful bids on behalf of the label for Springsteen, The Modern Lovers & Richard and Linda Thompson. As the record reviews editor of ''Rolling Stone'' from 1978 to 1983, Nelson researched long features about Eastwood, Zevon, & Ross Macdonald (only an expurgated version of the Zevon piece would see print) and championed a new generation of critics, including Kurt Loder, Charles M. Young and Mikal Gilmore. He frequently quarreled with publisher Jann Wenner over content (under Nelson's aegis, prominent reviews of The Dead Boys, Joy Division, and Public Image Ltd. were published) and length issues, precipitating his eventual resignation. Although Nelson found transitory employ as a copy editor at ''The Jewish Week'', attempted to write two major pieces on Cohen and Lucinda Williams for ''LA Weekly'' in 1993, and continued to sporadically contribute reviews to ''Musician'' and ''People'' until 1996, he largely recused himself from professional writing following his resignation from ''Rolling Stone'', devoting most of his literary energies to an unfinished screenplay partially set during World War II. A devoted lifelong cinephile with predilections for John Ford's oeuvre and film noir, he was an early adoptee of the videocassette recorder and enjoyed taping obscure exemplars of classic Hollywood cinema. Throughout much of this period, Nelson was employed as a clerk at Evergreen Video, a now-defunct specialty shop in the Greenwich Village neighborhood of Manhattan. Nelson was found dead in his apartment on the Upper East Side in July 2006. Heart disease was determined to be the cause of death, according to the medical examiner's office in New York City.〔("Paul Nelson, Critic Who Spanned Folk and Rock, Dies at 69" ), by Jon Pareles, ''New York Times'', July 10, 2006.〕 Nelson was acquainted with the novelist Jonathan Lethem (with whom he shared newfound interests in Philip K. Dick's novels and the music of Chet Baker) in the mid 1980s; the character of Perkus Tooth in Lethem's 2009 novel ''Chronic City'' is partially inspired by Nelson. In November 2011, Fantagraphics Books published ''Everything Is an Afterthought: The Life and Writings of Paul Nelson,'' by Kevin Avery.〔("Music Critic Paul Nelson Finally Gets His Due" ), by Jacq Cohen, Fantagraphics Books, March 31, 2011.〕 Another book edited by Avery, ''Conversations With Clint: Paul Nelson's Lost Interviews with Clint Eastwood, 1979 - 1983'' was published in December 2011 by Continuum Books, with a foreword by Lethem. ==Notes== 〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Paul Nelson (critic)」の詳細全文を読む スポンサード リンク
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